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Karsten Piep

Union Institute and University, Interdisciplinary Studies, Faculty Member

Union Institute and University, PhD Program in Interdisciplinary Studies, Faculty Member Union Institute and University, Humanities and Culture, Faculty Member Union Institute and University, Interdisciplinary Studies, Faculty Member |

20th Century American

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Books

Embattled Home Fronts: Domestic Politics and the American Novel of World War I

Amsterdam/New York: Rodopi, 2009

Embattled Home Fronts is an inquiry into the highly conflicted US American experience of World Wa... Embattled Home Fronts is an inquiry into the highly conflicted US American experience of World War I as it plays itself out in the diverse body of novelistic works to which it has given rise and by which it has been, in turn, shaped and commemorated. As such, this book naturally concerns itself with the formal aspects of artistic war representation. But rather than merely endeavoring to illustrate how American writers from various backgrounds chose to depict World War I, the present work seeks to uncover the particular ideologies and political practices that inform these representational choices. To this end, Embattled Home Fronts examines both canonized and marginalized US American World War I novels within the context of contemporaneous debates over shifting class, gender, and race relations. The book contends that American literary representations of the Great War are shaped less by universal insights into modern society’s self-destructiveness than by concerted efforts to fashion class-, gender-, and race-specific experiences of warfare in ways that stabilize and heighten political group identities. In moving beyond the customary focus on ironic war representations, Embattled Home Fronts illustrates that the representational and ideological battles fought within American World War I literature not only shed light on the emergence of powerful identity-political concepts such as the New Woman and the New Negro, but also speak to the reappearance of utopian, communitarian, and social protest fictions in the early 1930s. This study provides a new understanding of the relationship between war literature and home front politics that should be of interest to students and scholars working from a variety of disciplines and perspectives. Table of Contents Acknowledgements Preface Modern Memory Revisited: An Introduction I. World War I as Liberal Protest Novel Randolph Bourne, Progressivism, and the Protest Novel John Dos Passos, Three Soldiers, and Humble Protest Ernest Hemingway, A Farewell to Arms, and Personal War II. World War I as Proletarian Bildungsroman Specters of Revolution and the Proletarian Bildungsroman Upton Sinclair, Jimmie Higgins, and Equivocal Commitments William Cunningham, The Green Corn Rebellion, and Revolutionary Memory III. World War I as Feminist Utopia Pacifism, Resistance, and Feminist Utopias Dorothy Canfield, Home Fires in France, and Female-Centered Communities Gertrude Atherton, The White Morning, and the War between the Sexes IV. World War I as Race Romance Race Consciousness and the Romantic Quest Sarah Lee Brown Fleming, Hope’s Highway, and the End of Racial Strife Walter F. White, The Fire in the Flint, and Persistent Struggle Bibliography Index

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Papers

'You're Going to Make Us All Happy': Orientalist Appropriations of the Berber Woman in Richard Powers's Generosity

Critique: Studies in Contemporary Fiction 59.3 (2018)

Richard Powers's 2009 novel, Generosity: An Enhancement frequently has been read as a literary ex... Richard Powers's 2009 novel, Generosity: An Enhancement frequently has been read as a literary exposition of the mechanism by which post-industrial consumer culture seizes upon science to create and devour its own images of happiness. What has so far remained largely unexamined are the ways in which the novel's depictions of its Algerian female protagonist provide a subtle form of cultural criticism that enacts the Occident's longstanding appropriation of the Orient in contemporary times. Inverting the plot but adopting the tenor of nineteenth-and twentieth-century travelogues, Powers's Generosity makes its characters as well as its readers complicit in the Western world's ongoing Orientalist project by taking them on a quest to decode and take possession of the secret of happiness that U.S. American culture projects onto the body of a young Algerian refugee women.

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William Dean Howells's " The Midnight Platoon " and the Post-Sentimental Fallacy

ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 31.4 (2018)

Expanding upon William James's denouncement of the novel-reading sentimentalist in The Principles...

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Journal of War & Culture Studies 11.1 (2018)

Approximately 12,000 American Indians served in the armed forces of the United States during Worl... Approximately 12,000 American Indians served in the armed forces of the United States during World War I, yet very few of them turned their experiences into memoirs, fictions, or poetry. A notable exception is John Joseph Mathews, whose acclaimed 1934 novel, Sundown, provides rare glimpses into the multifaceted and conflicted Great War experiences of Native Americans in general and a young Osage aviator in particular. Written during the early 1930s, as the Bonus March briefly revived America's cultural memory of the First World War, Sundown defies long-held stereotypes about Native Americans and explodes the myth of the 'Vanishing Indian.' Before the backdrop of the encroachment of white settlers and ruthless speculators on the oil-rich Osage reservation, Sundown depicts its protagonist's attempts to navigate a modern world that is marked by radical technological developments and social shifts.

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World War I and the Idea of Progress in Richard Powers's Three Farmers on Their Way to a Dance

Comparative Literature & Culture Studies 18.1 (2016)

In his article "World War I and the Idea of Progress in Powers's Three Farmers on Their Way to a ... In his article "World War I and the Idea of Progress in Powers's Three Farmers on Their Way to a Dance" Karsten H. Piep reads Powers's 1985 debut novel as a critical reexamination of the dynamics and iconography of the early twentieth century that challenges the technological positivism espoused by many US neoconservatives during the 1980s, while insisting on the individual's interpretive powers to discern and release the ever present transformative potentials of history. Situating Three Farmers in the postmodernism debates of the 1980s, Piep argues that the novel succeeds in challenging the idea of history as linear progression, but ultimately fails to show how a critical engagement with the past might engender socially transformation action in the present. Link to journal issue: CLC 18.1 (2016): http://docs.lib.purdue.edu/clcweb/vol18/iss1/

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"Home to Harlem, Away from Harlem": Transnational Subtexts in Nella Larsen’s Quicksand and Claude McKay’s Home to Harlem

Brno Studies in English 40.2 , 2014

Heeding Brent Hayes Edwards 2003 call to re-examine African American writings of the early twenti... Heeding Brent Hayes Edwards 2003 call to re-examine African American writings of the early twentieth century within the context of emergent transnational sentiments, this article explores the literary depictions of transmigrant characters in Nella Larsen’s Quicksand (1928) and Claude McKay’s Home to Harlem (1928). Written and set during the volatile interwar years, Quicksand and Home to Harlem complicate and expand upon Randolph Bourne’s “Trans-National America” (1916) and Alain Locke’s “Harlem” (1925) by exploring how the transnational experience of moving away from, into, and between communities transforms existing identity concepts and creates spaces for the generation of self-definitions that are not bound by traditional notions of national and racial belonging.

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The CEA Critic 75.3 , 2013

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Business as Usual: Re-Domesticating the New Woman in Henry Sydnor Harrison’s Post-World War I Novel, Saint Teresa (1922)

The Latchkey: Journal of New Woman Studies V , 2013

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"As If They Thought She Were Deaf or Dumb": The Reproduction of Dominant Discourses in Jade Snow Wong’s Fifth Chinese Daughter

Colloquy 11 (2006)

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"Nothing New Under the Sun": Postsentimental Conflict in Harriet E. Wilson’s Our Nig

Philament 6 , 2005

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Embattled Home Fronts: Domestic Politics and the American Novel of World War I

Amsterdam/New York: Rodopi, 2009

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46 Views

'You're Going to Make Us All Happy': Orientalist Appropriations of the Berber Woman in Richard Powers's Generosity

Critique: Studies in Contemporary Fiction 59.3 (2018)

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36 Views

William Dean Howells's " The Midnight Platoon " and the Post-Sentimental Fallacy

ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 31.4 (2018)

Expanding upon William James's denouncement of the novel-reading sentimentalist in The Principles...

Download

17 Views

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Journal of War & Culture Studies 11.1 (2018)

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41 Views

World War I and the Idea of Progress in Richard Powers's Three Farmers on Their Way to a Dance

Comparative Literature & Culture Studies 18.1 (2016)

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63 Views

"Home to Harlem, Away from Harlem": Transnational Subtexts in Nella Larsen’s Quicksand and Claude McKay’s Home to Harlem

Brno Studies in English 40.2 , 2014

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382 Views

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The CEA Critic 75.3 , 2013

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290 Views

Business as Usual: Re-Domesticating the New Woman in Henry Sydnor Harrison’s Post-World War I Novel, Saint Teresa (1922)

The Latchkey: Journal of New Woman Studies V , 2013

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99 Views

"As If They Thought She Were Deaf or Dumb": The Reproduction of Dominant Discourses in Jade Snow Wong’s Fifth Chinese Daughter

Colloquy 11 (2006)

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422 Views

"Nothing New Under the Sun": Postsentimental Conflict in Harriet E. Wilson’s Our Nig

Philament 6 , 2005

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107 Views

"A Tiger’s Leap Into the Past": On the "Historical," "Unhistorical," and "Suprahistorical" in Walter Benjamin’s "Theses on the Philosophy of History"

New German Review 20 (2005)

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Jimmie Higgins (Upton Sinclair)

The Literary Encyclopedia. 16 February 2011.

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The Jungle (Upton Sinclair)

The Literary Encyclopedia. 25 January 2011.

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Review of The New Death: American Modernism and World War I.

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Review of On the Battlefield of Memory, War No More, and For Home and Country

American Literature 83.4 (2011)

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Review of Violence, the Arts, and Willa Cather

Great Plains Quarterly 29.2 (2009)

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Review of Embattled Home Fronts by Kathleen McClancy

American Literature 83.4 (2011)

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Review of Embattled Home Fronts by Till Kinzel

Zeitschrift für Anglistik und Amerikanistik 58.4 (2010)

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Review of Embattled Home Fronts

Reference & Research Book News (May 2009)

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ENG 111 - College Composition I

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ENG 113 - Advanced College Composition

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ENG 141 - Life and Thought in American Literature, To 1865

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ENG 142 - Life and Thought in American Literature, 1865-1945

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ENG 337 - African-American Writing, 1878-1945

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FNDS 704 - Interdisciplinarity

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RMTH 709 - Inquiry in the Humanities

by Karsten Piep 和 Carol Barrett

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HMS 710 - Building the Canon...and the Pursuit of Happiness

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Nineteenth Residency Conference (January 2018)

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Eighteenth Residency Conference (Jan 2017)

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Sixteenth Residency Conference (Jan 2015)

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Fifteenth Residency Conference (Jan 2014)

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Fourteenth Residency Conference (Jan 2013)

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Thirteenth Residency Conference (Jul 2012)

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Twelfth Residency Conference (Jan 2012)

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Eleventh Residency Conference (Jul 2011)

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Tenth Residency Conference (Jan 2011)

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Penumbra_Call for Submissions_2019.pdf

Penumbra: An Interdisciplinary Journal of Critical and Creative Inquiry, a peer-reviewed, online ... Penumbra: An Interdisciplinary Journal of Critical and Creative Inquiry, a peer-reviewed, online journal of Union Institute & University’s Ph.D. in Interdisciplinary Studies program, is seeking submissions. In order to be considered for the sixth issue (Summer 2019), please submit by January 31st, 2019. Submission Guidelines: https://unionpenumbra.org/guidelines/

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Penumbra: An Interdisciplinary Journal of Critical and Creative Inquiry

Penumbra is the official, refereed, scholarly journal of Union Institute & University’s Ph.D. Pro... Penumbra is the official, refereed, scholarly journal of Union Institute & University’s Ph.D. Program in Interdisciplinary Studies. The journal is published at regular intervals and dedicated to challenging traditional academic and creative disciplinary boundaries in the context of social change. Penumbra’s purpose is to promote theoretically informed engagements with concrete issues and problems. The journal publishes socially engaged, innovative, creative and critical scholarship with a focus on ethical and political issues in the humanities, public policy, and leadership. Penumbra is a peer-edited and peer-reviewed journal committed to spanning the divide between scholarly and creative production, and to fostering work from graduate students, junior scholars and emerging artists, in addition to more established critical and creative voices.

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Union Institute & University Graduate Programs

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